Showing posts with label Peter Doig. Show all posts
Showing posts with label Peter Doig. Show all posts

Outer Dark

Posted by Jona8than | Labels: , , | Posted On Friday, November 12, 2010 at 2:35 p.m.






Pictures of a new print. "Outer Dark" Intaglio [Etching, aquatint] 22" x 30" paper size. Unsure bout the purple one, might just make a few copies for myself. The darker one will be for editioning. Just bought one over to the Leyton Gallery for the Christmas Show.

It's a little different than my usual work. Trying something new with that big area of blankness in the middle as well as a slightly new colour. I did like the purple, been looking at some Peter Doig works on paper. But might just be a bit too much. Trying to expand the palette a bit. Peter Doig has some wonderful works on paper, where he experiments with colour ideas and different marks before committing to a large canvas. There is one in the book where he has this winter scene done in this cadmium red colour. Such emotion in it because of that. This anxious, intimidating feeling. Many people who have seen my work have commented that they would like to see more colourful work.

So I would like to oblige them, but not by making it any more cheerful.

Little shot of how I work. A lot of sketching and I swear by markers, they give me the speed I desire when trying to get an image down.


while sitting in a coffeehaus

Posted by Jona8than | Labels: , , , , , | Posted On Sunday, November 11, 2007 at 10:04 p.m.

The week has been an interesting one, busy and distractions galore.

I have been painting, drawing, reading, and obviously not writing...

Thursday I was sitting in Brewed Awakening with Jordan, just after he got off work and I spent money on unnecessary things. Enjoying a hot chocolate [ best hot chocolate in Newfoundland is found there] and perusing a Taschen "Art Now" book. In it the artist Peter Doig is featured; a Scottish/Canadian/Trindad artist, who is known for this interesting landscapes. I am not a huge fan of his work, they don't do it for me, or at least the reproductions don't.

He did say this "I don't think of my paintings as being at all realistic. I think of them as being derived more from within the head than from what's out there in front of you."

It is not one of those wonderful epigrams that can be debated endlessly, but struck a chord with me, for obviously my paintings have a sense of reality to them, but they are definitely more from my head. I will say they are not surrealist, but rather constructed to fit certain subject matter and formal considerations.

I think at times, or rather, in honesty the majority of the time, terribly conscious of the subject matter. In that I think about what I am painting, what is is suppose to be, suppose to look like, I never get to the surface, to just the surface. Lucien Freud said "Mustn't be indulged to the subject matter. I'm so conscious that that is a recipe for bad art"

I think from that I understand why my drawings are seen as more confident, more stronger than my other work. In my drawings, the imagery matters to me, but doesn't control the drawings. The drawings is just done, to be a good drawing. I use the line more easily, tones, everything is just done.

Painting seems different for some reason. Despite my experience with painting, I can not get the same execution of my drawings in it. There is some block there. I have been changing my painting process more, to mixing up large quantities of paint, working more wet on wet, using paint stick, etc. Something just isn't clicking yet. Maybe I have to bust out a lot more paintings. Smaller perhaps, and lots of them?